Author: Margarita Montimore
Publisher: Black Wing Books
Date of publication: January 2018
A traumatic car accident erases Astrid’s memories of September 9th, the day she spent with an oddly charming stranger named Theo. Ever since, she’s been haunted by surreal dreams and an urgent sense that she’s forgotten something important. One night, she gets a mysterious call from Oliver, who knows more about her than he should and claims he can help her remember. She accepts his help, even as she questions his motives and fights a strange attraction to him.
In order to find Theo and piece together that lost day in September, Astrid must navigate a maze of eccentric Boston nightlife, from the seedy corners of Chinatown to a drug-fueled Alice-in-Wonderland-themed party to a club where everyone dresses like the dead. In between headaches and nightmares, she struggles to differentiate between memory, fantasy, and reality, and starts to wonder if Theo really exists. Eventually, she’ll need to choose between continuing her search for him or following her growing feelings for Oliver. Astrid might go to extreme lengths to find what she’s lost . . . or might lose even more in her pursuit to remember (like her sanity).
Note: While a sequel is possible, it is currently intended as a standalone.
I had to think about Asleep From Day for a bit before deciding if I liked it or not. I am still torn. The story involves Astrid who loses her memory about the day before she was hit by a car. We take a journey with her to discover what happened on that day and who she spent the day with.
On one hand, I was definitely sucked in and found the story compelling. I wanted to join with Astrid as she discovered what happened on her missing day. The author did a great job of building the suspense as Astrid begins to remember bits and pieces. The story flashes back to that day as she starts to remember, so we get to see what really happened. I also enjoyed the book because I graduated from college in Boston a few years before this story takes place. The setting made me feel very nostalgic for the 90s Cambridge/Boston scene. A lot of the landscape has changed now, so it definitely brought back memories.
On the other hand, I found the book frustrating in a couple of ways. First, the book is set in 1999. I know it was 1999, not because of the title pages with the date, but because the story was riddled with pop culture references from that year. You all know how I feel about those. It was a bit too in your face. As if for some reason, I needed to be reminded that is was 1999. This story really could have taken place in any year and it would have held up fine. The other reason is the ending. I hated that ending; I'm not going to lie. I really felt cheated especially since this is intended to be a stand alone book. I don't want to fill in the blanks myself. I want to know what happened.
So, would I recommend it? Yes. Despite my issues with it, the story overall is enjoyable and the writing is good. I thought the characters were engaging and ones I grew to really like. Give it a shot and try it for yourself.
Enjoy this excerpt:
Outside a pizza place is a pay phone. Who else can I call? Hand on receiver,
before I can decide, the phone rings. I pull back, like I’ve been burned.
Briiiiiing!!! Briiiiiing!!!
There’s absolutely nobody around, no one who might be waiting for a call.
Briiiiiing!!!
“Hello?” Why am I answering the phone? It’s not like--
“Astrid?”
If déjà vu is a feather down the spine, this sensation is a razor.
I must have misheard.
“Astrid, are you there?” The same male voice from my dream, the static now on my end in the form of the noisy downpour.
“Who is this?” I ask. “How did you know I would answer the phone?”
Before he replies, tranquility trickles into my veins like one of those lovely drugs pumped into me at the hospital. Of course. There’s no need to worry about any of it. This is just another dream.
“You’ll find out who I am soon enough,” he says. “There are more important things you need to deal with first.”
“Sure there are. Like what kind of snack I’ll have when I wake up.”
A pause on his end. “You’re not dreaming, Astrid.”
It stops raining, abruptly.
“The car accident, the fire, your friend’s overdose,” he continues, “All of those are real things.”
“Who are you? You’re scaring me.” I look around, expect to see someone lurking in a dark trench coat.
“I’m sorry. Maybe I shouldn’t have called. But I wanted... to reassure you, tell you you’ll get through this. I’ll be able to help you more later on.”
“Do you...” My mouth is parched, my voice hoarse. “Do you go by your middle name?” I clear my throat, hold onto the phone with both hands. “Please tell me your name.”
“You already know my name, Astrid. You just need to remember it. But first, you need to find a place to sleep.”
“You mean a place to wake up. Right here would be perfect.”
He sighs. “Don’t do that. Don’t deny what’s real.”
How am I supposed to tell the difference?
“Astrid, you’re going to be fine. That’s all I wanted to tell you. We’ll speak again soon.”
The line goes dead.
Briiiiiing!!! Briiiiiing!!!
There’s absolutely nobody around, no one who might be waiting for a call.
Briiiiiing!!!
“Hello?” Why am I answering the phone? It’s not like--
“Astrid?”
If déjà vu is a feather down the spine, this sensation is a razor.
I must have misheard.
“Astrid, are you there?” The same male voice from my dream, the static now on my end in the form of the noisy downpour.
“Who is this?” I ask. “How did you know I would answer the phone?”
Before he replies, tranquility trickles into my veins like one of those lovely drugs pumped into me at the hospital. Of course. There’s no need to worry about any of it. This is just another dream.
“You’ll find out who I am soon enough,” he says. “There are more important things you need to deal with first.”
“Sure there are. Like what kind of snack I’ll have when I wake up.”
A pause on his end. “You’re not dreaming, Astrid.”
It stops raining, abruptly.
“The car accident, the fire, your friend’s overdose,” he continues, “All of those are real things.”
“Who are you? You’re scaring me.” I look around, expect to see someone lurking in a dark trench coat.
“I’m sorry. Maybe I shouldn’t have called. But I wanted... to reassure you, tell you you’ll get through this. I’ll be able to help you more later on.”
“Do you...” My mouth is parched, my voice hoarse. “Do you go by your middle name?” I clear my throat, hold onto the phone with both hands. “Please tell me your name.”
“You already know my name, Astrid. You just need to remember it. But first, you need to find a place to sleep.”
“You mean a place to wake up. Right here would be perfect.”
He sighs. “Don’t do that. Don’t deny what’s real.”
How am I supposed to tell the difference?
“Astrid, you’re going to be fine. That’s all I wanted to tell you. We’ll speak again soon.”
The line goes dead.
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About the author:
Margarita Montimore received a BFA in Creative Writing from Emerson College. She worked for over a decade in publishing and social media before deciding to focus on the writing dream full-time. She has blogged for Marvel, Google, Quirk Books, and XOJane.com. When not writing, she freelances as a book coach and editor. She grew up in Brooklyn but currently lives in a different part of the Northeast with her husband and dog.
Margarita writes upmarket/literary fiction that tends to be left of center and flirt with multiple genres. While she loves all things dark, strange, and surreal, she’s also optimistic—verging on quixotic—and a pop culture geek, so her work tends to incorporate all those elements to varying degrees.
Connect with Margarita: Website | Twitter | Facebook | Instagram | Newsletter
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