On Sale Date: August 4, 2020
9780778309710, 0778309711
Trade Paperback
$17.99 USD, $22.99 CAD
Fiction / Friendship
384 pages
In this emotional, life-affirming novel, two women embark on
an extraordinary road trip and discover the transformative power of female
friendship--perfect for fans of JoJo Moyes and Gail Honeyman.
The simple fact of the matter is that Iris loves life. Maybe
she's forgotten that. Sometimes that happens, doesn't it? To the best of us?
All I have to do is remind her of that one simple fact.
When Iris Armstrong goes missing, her best friend
Terry—wife, mother and all-around worrier—is convinced something bad has
happened. And when she finds her glamorous, feisty friend, she's right: Iris is
setting out on a bucket-list journey that she plans to make her last. She tells
Terry there’s no changing her mind, but Terry is determined to show her that
life is still worth living.
The only way for Terry to stop Iris is to join her—on a road
trip that will take them on a life-changing adventure. Along the way, somehow
what should be the worst six days of Terry’s life turn into the best. Told in
an irresistible voice and bursting with heart, Rules of the Road is a powerful
testament to the importance of human connection and a moving celebration of
life in all its unexpected twists and turns.
BUY LINKS
I liked the idea of Rules of the Road much more than the actual book. It ended up being just OK for me. I found it a bit predictable, especially the ending. Terry and Iris ended up exactly where I expected them to end up. I had a really hard time warming up to either Terry or Iris. I think this book will make you think. It deals with the tough subject of euthanasia. It also shows the reality of Alzheimer's. So keep both of those things in mind if you choose to give this one a try. For me it made me uncomfortable and that kind of ruined my reading experience. I did like Terry's father. He was an interesting character and added some well needed relief. I think this is one that you will have to try out for yourself.
Try out the first chapter below!
Iris Armstrong is missing.
That is
to say, she is not where she is supposed to be. I am trying not to worry. After
all, Iris is a grown woman and can take care of herself better than most.
It’s
true to say that I am a worrier. Ask my girls. Ask my husband. They’ll tell you
that I’d worry if I had nothing to worry about. Which is, of course, an
exaggeration, although I suppose it’s true to say that, if I had nothing to
worry about, I might feel that I had overlooked something.
Iris is
the type of woman who tells you what she intends to do and then goes ahead and
does it. Today is her birthday. Her fifty-eighth.
“People
see birthdays as an opportunity to tell women they look great for their age,”
Iris says when I suggested that we celebrate it.
It’s
true that Iris looks great for her age. I don’t say that.
Instead,
I say, “We should celebrate nonetheless.”
“I’ll
celebrate by doing the swan. Or the downwardfacing dog. Something animalistic,”
said Iris after she told me about the yoga retreat she had booked herself into.
“But
you hate yoga,” I said.
“I
thought you’d be delighted. You’re always telling me how good yoga is for
people with MS.”
My plan
today was to visit Dad, then ring the yoga retreat in Wicklow to let them know
I’m driving down with a birthday cake for Iris. So they’ll know it’s her
birthday. Iris won’t want a fuss of course, but everyone should have cake on
their birthday.
But
when I arrive at Sunnyside Nursing Home, my father is sitting in the reception
area with one of the managers. On the floor beside his chair is his old
suitcase, perhaps a little shabby around the edges now but functional all the
same. A week, the manager says. That’s how long it will take for the
exterminators to do what they need to do, apparently. Vermin, he calls them, by
which I presume he means rats, because if it was just mice, he’d say mice,
wouldn’t he?
My
father lives in a rat-infested old folks’ home where he colors in between the
lines and loses at bingo and sings songs and waits for my mother to come back
from the shops soon.
“I can
transfer your father to one of our other facilities, if you’d prefer,” the
manager offers.
“No,
I’ll take him,” I say. It’s the least I can do. I thought I could look after
him myself, at home, like my mother did for years. I thought I could cope. Six
months I lasted. Before I had to put him into Sunnyside.
I put
Dad’s suitcase into the boot beside the birthday cake. I’ve used blue icing for
the sea, gray for the rocks where I’ve perched an icing stick figure which is
supposed to be Iris, who swims at High Rock every day of the year. Even in
November. Even in February. She swims like it’s July. Every day. I think she’ll
get a kick out of the cake. It took me ages to finish it. Much longer than the
recipe book suggested. Brendan says it’s because I’m too careful. The cake does
not look like it’s been made by someone who is too careful. There is a
precarious slant to it, as if it’s been subjected to adverse weather
conditions.
I belt
Dad into the passenger seat. “Where is your mother?” he asks.
“She’ll
be back from the shops soon,” I say. I’ve stopped telling him that she’s dead.
He gets too upset, every time. The grief on his face is so fresh, so vivid, it
feels like my grief, all over again, and I have to look away, close my eyes,
dig my nails into the fleshy part of my hands.
I get
into the car, turn over the engine.
“Signal
your intent,” Dad says, in that automatic way he does when he recites the rules
of the road. He remembers all of them. There must be some cordoned-off areas in
your brain where dementia cannot reach.
I
indicate as instructed, then ring the yoga retreat before driving off.
But
Iris is not there. She never arrived.
In
fact, according to the receptionist who speaks in the calm tones of someone who
practices yoga every day, there is no record of a booking for an Iris
Armstrong.
Iris
told me not to ring her mobile this week. It would be turned off.
I ring
her mobile. It’s turned off.
I drive
to Iris’s cottage in Feltrim. The curtains are drawn across every window. It
looks just the way it should: like the house of a woman who has gone away. I
pull into the driveway that used to accommodate her ancient Jaguar. Her sight
came back almost immediately after the accident, and the only damage was to the
lamppost that Iris crashed into, but her consultant couldn’t guarantee that it
wouldn’t happen again. Iris says she doesn’t miss the car, but she asked me if
I would hand over the keys to the man who bought it off her. She said she had a
meeting she couldn’t get out of.
“It’s
just a car,” she said, “and the local taxi driver looks like Daniel Craig. And
he doesn’t talk during sex, and knows every rat run in the city.”
“I’ll
just be a minute, Dad,” I tell him, opening my car door.
“Take
your time, love,” he says. He never used to call me love.
The grass
in the front garden has benefited from a recent mow. I stand at the front door,
ring the bell. Nobody answers. I cast about the garden. It’s May. The cherry
blossom tree, whose branches last week were swollen with buds, is now a riot of
pale pink flowers. The delicacy of their beauty is disarming, but also sad, how
soon the petals will be discarded, strewn across the grass in a week or so,
like wet and muddy confetti in a church courtyard long after the bride and
groom have left.
I rap
on the door even though I’m almost positive Iris isn’t inside.
Where
is she?
I ring
the Alzheimer’s Society, ask to be put through to Iris’s office, but the
receptionist tells me what I already know. That Iris is away on a week’s
holiday.
“Is
that you, Terry?” she asks and there is confusion in her voice; she is
wondering why I don’t already know this.
“Eh,
yes, Rita, sorry, don’t mind me, I forgot.”
Suddenly
I am flooded with the notion that Iris is inside the house. She has fallen.
That must be it. She has fallen and is unconscious at the foot of the stairs.
She might have been there for ages. Days maybe. This worry is a galvanizing
one. Not all worries fall into this category. Some render me speechless. Or
stationary. The wooden door at the entrance to the side passage is locked, so I
haul the wheelie bin over, grip the sides of it, and hoist myself onto the lid.
People think height is an advantage, but I have never found mine—five feet ten
inches, or 1.778 meters, I should say— to be so. Imperial or metric, the fact
is I am too tall to be kneeling on the lid of a wheelie bin. I am a myriad of
arms and elbows and knees. It’s difficult to know where to put everything.
I grip
the top of the door, sort of haul myself over the top, graze my knee against
the wall, and hesitate, but only for a moment, before lowering myself down as
far as I can before letting go, landing in a heap in the side passage. I should
be fitter than this. The girls are always on at me to take up this or that.
Swimming or running or Pilates. Get you out of the house. Get you doing
something.
The
shed in Iris’s back garden has been treated to a clearout; inside, garden tools
hang on hooks along one wall, the hose coiled neatly in a corner and the
half-empty paint tins—sealed shut with rust years ago—are gone. It’s true that
I advised her to dispose of them—carefully—given the fire hazard they
presented. Still, I can’t believe that she actually went ahead and did it.
Even
the small window on the gable wall of the shed is no longer a mesh of web.
Through it, I see a square of pale blue sky.
The
spare key is in an upside-down plant pot in the shed, in spite of my concerns
about the danger of lax security about the homestead.
I
return to the driveway and check on Dad. He is still there, still in the front
passenger seat, singing along to the Frank Sinatra CD I put on for him. Strangers
in the Night.
I
unlock the front door. The house feels empty. There is a stillness.
“Iris?”
My voice is loud in the quiet, my breath catching the dust motes, so that they
lift and swirl in the dead air.
I walk
through the hallway, towards the kitchen. The walls are cluttered with
black-and-white photographs in wooden frames. A face in each, mostly elderly.
All of them have passed through the Alzheimer’s Society and when they do, Iris
asks if she can take their photograph.
My
father’s photograph hangs at the end of the hallway. There is a light in his
eyes that might be the sunlight glancing through the front door. A trace of his
handsomeness still there across the fine bones of his face framed by the neat
helmet of his white hair, thicker then.
He
looks happy. No, it’s more than that. He looks present. “Iris?”
The
kitchen door moans when I open it. A squirt of WD-40 on the hinges would remedy
that.
A
chemical, lemon smell. If I didn’t know any better, I would suspect a cleaning
product. The surfaces are clear. Bare. So too is the kitchen table, which is
where Iris spreads her books, her piles of paperwork, sometimes the contents of
her handbag when she is hunting for something. The table is solid oak. I have
eaten here many times, and have rarely seen its surface. It would benefit from
a sand and varnish.
In the
sitting room, the curtains are drawn and the cushions on the couch look as
though they’ve been plumped, a look which would be unremarkable in my house,
but is immediately noticeable in Iris’s. Iris loves that couch. She sometimes
sleeps on it. I know that because I called in once, early in the morning. She
wasn’t expecting me. Iris is the only person in the world I would call into
without ringing first. She put on the kettle when I arrived. Made a pot of
strong coffee. It was the end of Dad’s first week in the home.
She
said she’d fallen asleep on the couch, when she saw me looking at the blankets
and pillows strewn across it. She said she’d fallen asleep watching The
Exorcist.
But I
don’t think that’s why she slept on the couch. I think it’s to do with the
stairs. Sometimes I see her, at the Alzheimer’s offices, negotiating the stairs
with her crutches. The sticks, she calls them. She hates waiting for the lift.
And she makes it look easy, climbing the stairs. But it can’t be easy, can it?
Besides,
who falls asleep watching The Exorcist?
“Iris?”
I hear an edge of panic in my voice. It’s not that anything is wrong exactly.
Or out of place.
Except
that’s it. There’s nothing out of place. Everything has been put away.
I walk
up the stairs. More photographs on the landing, the bedroom doors all closed. I
knock on the door of Iris’s bedroom. “Iris?” There is no answer. I open the
door. The room is dark. I make out the silhouette of Iris’s bed and, as my eyes
adapt to the compromised light, I see that the bed has been stripped, the
pillows arranged in two neat stacks by the headboard. There are no books on the
nightstand. Maybe she took them with her. To the yoga retreat.
But she
is not at the yoga retreat.
Panic
is like a taste at the back of my throat. The wardrobe door, which usually
hangs open in protest at the melee of clothing inside, is shut. The floorboards
creak beneath my weight. I stretch my hand out, reach for the handle, and then
sort of yank it open as if I am not frightened of what might be inside.
There
is nothing inside. In the draft, empty hangers sway against each other, making
a melancholy sound. I close the door and open the drawers of the tallboy on the
other side of the room.
Empty.
All of them.
In the
bathroom there is no toothbrush lying on its side on the edge of the sink,
spooling a puddle of toothpaste. There are no damp towels draped across the rim
of the bath. The potted plants—which flourish here in the steam—are gone.
I hear
a car horn blaring, and rush into the spare room, which Iris uses as her home
office. Jerk open the blinds, peer at the driveway below. My car is still
there. And so is Dad. I see his mouth moving as he sings along. I rap at the
window, but he doesn’t look up. When I turn around, I notice a row of black bin
bags, neatly tied at the top with twine, leaning against the far wall. They are
tagged, with the name of Iris’s local charity shop.
Now
panic travels from my mouth down my throat into my chest, expands there until
it’s difficult to breathe. I try to visualize my breath, as Dr. Martin
suggests. Try to see the shape it takes in a brown paper bag when I breathe
into one.
I pull
Iris’s chair out from under her desk, lower myself onto it. Even the paper
clips have been tidied into an old earring box. I pick up two paper clips and
attach them together. Good to have something to do with my hands. I reach for a
third when I hear a high plink that nearly lifts me out of the chair. I
think it came from Iris’s laptop, closed on the desk. An incoming mail or a
Tweet or something. I should turn it off. It’s a fire hazard. A plugged-in
computer. I lift the lid of the laptop. On the screen, what looks like a
booking form. An Irish Ferries booking form. On top of the keyboard are two
white envelopes, warm to the touch. Iris’s large, flamboyant handwriting is
unmistakable on both.
One
reads Vera Armstrong. Her mother’s name. The second envelope is addressed to
me.
Excerpted from Rules of the Road by Ciara Geraghty,
Copyright © 2019 by Ciara Geraghty. Published by Park Row Books.
ABOUT THE AUTHOR
Ciara Geraghty was born and raised in Dublin. She started
writing in her thirties and hasn’t looked back. She has three children and one
husband and they have recently adopted a dog who, alongside their youngest
daughter, is in charge of pretty much everything.
SOCIAL LINKS
Author Website: http://www.ciarageraghty.com/
Twitter: @ciarageraghty
Facebook: @CiaraGeraghtyBooks
Instagram: @ciara.geraghty.books
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