Today we welcome author Liz Trenow who is promoting her
latest book, The Forgotten Seamstress. Enjoy her guest
post about the challenges and rewards of writing a novel that goes back and forth over a
period of nearly 100 years after my thoughts on the book.
Publisher: Sourcebooks Landmark
Date of publication:May 2014
It is 1910
and Maria, a talented young girl from the East end of London, is employed to
work as a seamstress for the royal family. As an attractive girl, she soon
catches the eye of the Prince of Wales and she in turn is captivated by his
glamour and intensity.
But careless talk causes trouble and soon Maria’s life takes a far darker turn.
Disbelieved and dismissed she is thrown into a mental asylum, shut away from
the real world with only her needlework for company.
Can a beautiful quilt, discovered many years later, reveal the truth behind
what happened to Maria?
My Thoughts:
I was
really surprised by The Forgotten Seamstress. I wasn't sure if I was
going to like the book. I loved it. I was totally engaged and sped
through Maria and Caroline’s stories. I don’t
want to give away too much of the plot because there are a few surprises in this
book. But the story waffles between two
stories. Through recorded interviews
from the 1970s, Maria Romano tells of her time as a seamstress in Buckingham
palace, a secret affair with the Prince of Wales, and her forced commitment to
a mental institution for over 20 years. Maria’s story was so heartbreaking, yet very bittersweet
in the end. My heart just broke for her as she told her story.
Caroline,
in the present, discovers a gorgeous quilt with exquisite embroidery hidden in
her grandmother’s things. She embarks on
a hunt for clues to the maker of the quilt as she also navigates what she wants
to do with her life and how to care for her mother as her mother’s memory fades with Alzheimer’s.
Her decision in the end regarding the quilt was just so perfect and right! Being an avid embroiderer, I loved the
description of the quilt. The fabrics
and delicate stitches were described with such vivid detail that I had a
perfect image in my mind as to what it looked like. I only wish that the quilt was real so that I
could see it in real life.
I definitely recommend this wonderful story. The ending alone left me with such a good
feeling. I know that this will make it
into my top 10 of 2014. I look forward
to reading more from Ms. Trenow.
What are
the challenges and rewards of writing a novel that goes back and forth over a
period of nearly 100 years?
In The
Forgotten Seamstress, the main challenge was to ensure that the ‘voice’ of each character was
consistent and true to the period.
For Maria’s
story, I steeped myself in Victorian literature and other novels set in the
time, as well as books of social history. All that research reaped wonderful
rewards: her narrative seemed to flow onto the page and I could almost hear her
voice in my head telling me what to write. However, my 30-something
metropolitan character, Caroline, was more elusive, since I am neither. For
this I turned to my two daughters, both of whom are around that age, and live
and work in London.
The basic plot
challenge is making sure that the links between the narratives make sense and
don’t give away too much of the mystery. But introduce too much mystery
through unlinked narratives, and readers will soon get confused and turned off.
Making the dates work properly, especially if they need to fit with actual
historical events, is also sometimes quite tricky – you can be sure an
eagle-eyed reader will find you out if you don’t!
Because of
the passage of time, my two characters could not have actually met, so I
had to find a way for Caroline to learn Maria’s life story. Maria’s was
definitely an ‘aural’ or spoken voice and I still hadn’t worked out how
Caroline, would have been able to ‘hear’ her, a century later.
While
researching the history of Severalls Mental Asylum, the model for Helena Hall
in the novel, I came across a remarkable piece book by the sociologist and
author Diana Gittins called Madness in its Place (Routledge
1998), in which she quoted from her recordings with staff and patients. These
first-hand accounts really brought the place and the people to life and, in one
of those light-bulb moments, I realised that this was exactly what I needed to
do with Maria.
So I
created a character – Professor Patsy Morton – who had undertaken a research
project not unlike that of Diana Gittins’, although a couple of decades
earlier. This was the perfect way of allowing Caroline – and the reader – to
hear Maria’s story first hand.
This was my
ultimate reward: although we never properly ‘meet’ her in the book, the tapes
enabled me to feel that I really knew her – I hope this is the same for
you.
Thanks for
an interesting question – really made me think about how I write!
About the author:
Liz Trenow's family have been silk weavers for nearly three hundred years, and she grew up in the house next to the mill in Suffolk, England, which still operates today, weaving for top-end fashion houses and royal commissions.
It was the recollections of Liz's father about how, during the Second World War, the mill worked night and day weaving parachute silk, that inspired her first novel, "The Last Telegram".
USA Today bestselling author Sawyer Bennett is
a snarky Southern woman and reformed trial lawyer who decided to finally start
putting on paper all of the stories that were floating in her head. Her husband
works for a Fortune 100 company which lets him fly all over the world while she
stays at home with their daughter and three big, furry dogs who hog the bed.
Sawyer would like to report she doesn’t have many weaknesses but can be bribed
with a nominal amount of milk chocolate.
