Saturday, May 18, 2024

Spotlight: Excerpt from The Library Thief by Kuchenga Shenjé

Kuchenga Shenjé
Publication Date: May 6, 2024
ISBN: 9781335909695
Publisher: Hanover Square Press
Price $29.99

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The library is under lock and key. But its secrets can't be contained.

A strikingly original and absorbing mystery about a white-passing bookbinder in Victorian England and the secrets lurking on the estate where she works, for fans of Fingersmith and The Confessions of Frannie Langton 

1896. After he brought her home from Jamaica as a baby, Florence's father had her hair hot-combed to make her look like the other girls. But as a young woman, Florence is not so easy to tame—and when she brings scandal to his door, the bookbinder throws her onto the streets of Manchester.

Intercepting her father's latest commission, Florence talks her way into the remote, forbidding Rose Hall to restore its collection of rare books. Lord Francis Belfield's library is old and full of secrets—but none so intriguing as the whispers about his late wife.

Then one night, the library is broken into. Strangely, all the priceless tomes remain untouched. Florence is puzzled, until she discovers a half-burned book in the fireplace. She realizes with horror that someone has found and set fire to the secret diary of Lord Belfield's wife–which may hold the clue to her fate…

Evocative, arresting and tightly plotted, The Library Thief is at once a propulsive Gothic mystery and a striking exploration of race, gender and self-discovery in Victorian England. 


The story starts with a scandal that I thought would end my life. Fortunately, my scandal didn’t kill anyone. In fact, it pales in comparison with what I went on to discover at Rose Hall. 

Thus far, the way I see it, in any good life you need to die several times to really lead a life worth living. There are little deaths and there are big deaths. My tale has both—and the real tragedy would be if this story were to die with me. 

I was lying when I swore I would take this secret to my grave. I had no right to promise that.


Granger’s Bookbinders,

143 Long Millgate,


Rose Hall,


November 20, 1896

Dear Mr. Granger,

I trust this note finds you in good health and that business is as steady as when last we met some years ago.

I write to you with an unusual commission. I will not trouble you here with the details of my current circumstances. Since the untimely death of my beloved wife, Lady Persephone, it seems the fates are in conspiracy against me. Suffice it to say that I find myself now in need of your excellent services and on a far grander scale than before.

The library at Rose Hall is, as you are aware, extensive. I am proud of the rarity and quality of the books it now houses, a collection that I have painstakingly curated over many years. I now find myself in the unhappy position of seeking a buyer for my collection. Many of the books, due to their age and mishandling by less cautious owners, are badly in need of restoration. There are perhaps some two hundred such artifacts. The nature of my circumstances make it necessary that this work be carried out to the highest quality and with the greatest rapidity. Since no bookbinder in the North West possesses skills equal to yours, I thought of you at once.

Please inform me as soon as you are able whether it is within your means to accept such a commission.

Your obliged and affectionate friend,

Lord F. Belfield

I fell in love with the feel of the cotton before I fell in love with the books. Leather felt too masculine and reptilian. Cloth was so much warmer and didn’t slip out of my hands as easily. As a child I played underneath the tables and made toy families from the scraps that fell at my father’s boots. 

He would never talk to me about where the cloth we used came from, nor the contents of the books we worked on. There were a lot of things my father wouldn’t tell me, and rather than keeping me ignorant, his silence made me more curious. And fortunately, I was surrounded by the means to nourish that curiosity. 

Most of the time we spent together as I grew up was in silence, folding, beveling and smoothing. I sometimes wished my fingers could be as thick as his; he didn’t grimace when schooling leather and cloth into precise lines under his digital tutelage. I tried to be like my father, but all the books he left lying around gave me opinions.

* * *

I arrived at the front door of Rose Hall looking more ragged than I would have liked. My breath was far from fresh, and the hair pins and clips I had used to imprison the frizzier strands had been loosened by the bumps of the rickety carriage. I had been dropped at the top of a tree-lined drive that was at least a quarter mile long, if not more. The December mists obscured my vision, and I could only just make out the shape of a grand house, the likes of which I had only really seen on biscuit tins in the windows of Manchester’s new department store, though I had imagined them as I read Brontë, Austen and Radcliffe. Even with the curls of mist in the air, I could tell this was a very English dwelling. As I approached it my feet slipped and shifted on the gravel, unused to navigating such terrain after only walking on cobbled streets and across wooden floors.

Lord Francis Belfield of Rose Hall had been my father’s long-standing customer. He was the only man I’d ever seen look luxurious without any air of pomposity. The men of Manchester were not known for wearing velvet, so the sheen of his jackets always marked him out as distinguished. It felt completely fitting that Rose Hall was an ode to symmetry and a more tasteful example of the grandiosity of the mid-eighteenth century. It was an early Georgian home of Lancashire sandstone. Even though my father hadn’t mentioned it, the period of the building’s erection and the mercantile success of Lord Francis Belfield were all I needed to know to deduce that the building and its grounds had been purchased with plantation wealth.

I knocked on the forest-green door and left my suitcases on the ground, hoping that looked more elegant than being strained down by the weight of my clothes, books and binding tools. In my pocket, my fingers found the folds of Lord Belfield’s letter. I inhaled, recalling once more the story I had so carefully rehearsed.

The door opened and a pair of prominent blue eyes glared at me through the crack. “Well?”

“Miss Florence Granger for Lord Francis Belfield, please.”

I took in the lines, too many for the face of someone who was still clearly a young man. The hand holding the door open was rough and calloused.

“He is expecting me,” I added.

“No ’e is not.”

I blinked, having not expected resistance this soon.

“I assure you I arrive here at the request of Lord Belfield himself. I am from Granger’s of Manchester.”

The door widened and there stood a long-limbed boy of no more than twenty. His movements were almost feline. The way he handled the door without effort despite its apparent heaviness was quite a marvel.

“We are bookbinders. I’ve been sent to care for your master’s collection.” I retrieved the letter from the pocket of my coat and held it out.

He made no move to take it, but instead chewed his bottom lip, realizing there was truth to my words but clearly unconvinced by me. A female tradesperson at the door to Rose Hall was probably not a common occurrence.

“Young man, I excuse you of your impertinence, but I have been traveling for some hours and would like to rest,” I told him, trying a sterner approach. “Please fetch your master.”

“’E don’t rise before midday most days anymore. You can wait in the kitchens, if you like.”

Now it was my turn to falter. I had no way of assessing how appropriate this was. Should I be seated in the parlor? If I allowed myself to be taken to the kitchens, was I aligning myself with the downstairs staff? I was an artisan, not a servant. But a sharp ripple through my stomach made the decision for me.

“Very well, so long as your offer comes with a cup of tea.” I sighed and crouched down to pick up my suitcases.

“No, m’lady. I’ll tek those.”

He ushered me into the reception hall, lifting my bags up to his sides as if they weighed nothing at all. The door chuffed itself closed behind us with a low groan. The darkness of the perimeter indicated that there was no draft coming through, nor a single sliver of light. A curtain hung to the right of it and the man gave it a sharp tug. It concealed the entrance entirely once pulled across, an odd choice. It gave the sense of being sealed into the house somehow—not being able to see where one could escape.

Stepping into the hall, I was compelled to look up. It was a huge atrium, with dark green textured walls and candles placed at regular intervals which gave the illusion of a warm, close space. He led me over a black-tiled floor, underneath a vast yet delicate brass chandelier aglow with coppery bulbs. At the back of the hall, under the bifurcated staircase, he opened a hidden door which led down to the kitchen. Before I had reached the bottom the herbaceous and deeply woody smells of the kitchen came wafting up to greet me. It was divine. But when we reached the flagstoned room I saw there was nothing on the stove; I could only imagine that months of cooking in a room with such small windows had baked the scent into the walls.

I was seated at a wooden table facing an array of copper pans and white jugs with the high windows behind me. It was clearly a kitchen intended for many staff, but there was none of the expected bustle. Where was everyone? I shifted uncomfortably as I cast about for something to say, before realizing that I didn’t know the young man’s name.

“What is your name?”


“Wesley what?”

He gave me a strange look. “Bacchus. Wesley Bacchus. I’m the footman.”

He was telling me that as a footman, his surname did not matter. Of course there was no reason that I, as a craftswoman, should know the intricacies of these hierarchies, but I sat in silence, not wanting to betray myself further by speaking again.

I was grateful when the cook came in some minutes later—from a pantry, I imagined—but she barely looked in my direction, merely banging a pan of water onto the stove. My stomach growled something fierce when she entered, almost as if my belly knew that I was meeting the person in charge of feeding the house.

I waited for her to acknowledge me, while Wesley continued to look on with a smile playing about his lips. But she only retrieved a mug and a caddy, before placing a steaming tea in front of me with a snort. My shoulders slumped. I hadn’t expected to be treated as a lady, but had hoped for at least some respect. Would my father have received such a poor greeting? I sipped the tea, grateful for its sweetness and warmth as the cook clattered about with her back to me. As I finished, she returned to the table with a thick slice of ham sandwiched between two slices of bread. There was also a large apple on the plate and in her other hand was a pewter cup of water. She’d clearly heard my stomach. But her face showed no compassion as she laid the blessed offering on the table.

With one last assessing glance at me, Wesley left, and the cook returned to the stove, making it clear she had no intention of speaking to me. I decided I could forget my manners just as she had hers, and devoured the most delicious meal I’d had in weeks. Salty ham on pillowy bread, with a delightfully sour apple and water that tasted like it came from the purest spring to cleanse my palate. After greedily wiping the crumbs off the plate with one of my fingers, I took out A Christmas Carol from my coat pocket and started reading until the words on the page began to blur. The beast of a carriage I had traveled in overnight had creaked with the strain of being drawn up even the slightest incline. Combined with the cold that jolted me from slumber, I had only been able to sleep in fits and bursts.

I awoke, suddenly, with my head on my crossed arms in front of me and my wrist soaking wet from my dribble. The plate and pewter cup had been taken away and Wesley was standing above me, a mocking smile about his thickish lips.

“I’m sorry to wake you, Miss. Lord Belfield says he’ll see you now.”

Wesley led me back upstairs, and down a corridor. As we passed a tall, gilded mirror, I stopped, horrified by my reflection. My hair, after only days left to its own devices, was now once again completely untamed. My eyes were bloodshot with fatigue and my skin was pale, making my freckles stand out. Hastily, I tried to force my frizzed hair back beneath its pins as Wesley stopped too. He watched me with amusement until I had done the best I could, and we continued on our way.

I thought back to the last time I had seen Lord Francis Belfield. His best features were his long fingers, which were always encased in tight kid gloves that he never took off. Oh, and the smell of him! Rich pepper with a botanical soapy undertone, which always impressed me. Not in a way that would make me swoon. He’s not the kind of man a girl like me is meant to fall in love with. No, what I felt was awe. A man of his fortune had surely seen more of the world than most. He’d have tales of Saint Petersburg, Constantinople and Siam. If only I could ask him. The need to convince him of my employability made doing so inappropriate.

The door opened onto the parlor, and immediately I could see that the man I remembered from our shop was very different from the man who sat in front of me. He was wearing a turmeric-colored silk waistcoat embroidered with indigo plants, paired with dark trousers. He had clearly dressed hastily, and a thread toward the bottom of his trousers was loose and trailing on the floor by his feet. I inhaled deeply but could not catch the spiced vegetal scent that usually accompanied his presence. He was much thinner than when I had last seen him, and his eyes drooped as if he had suffered many a sleepless night. He stood up from his seat to shake my hand but returned to it quickly as if he couldn’t bear to hold himself up for too long.

“My name is Florence Granger, sir,” I began, but he waved a hand.

“Yes, yes, I remember you. But why has your father sent you all this way without an escort? It must have been a frightful journey.”

“Oh, no, Lord Belfield. The journey was fine.” I cleared my throat to make space for the bigger lie. “My father sent me to complete the work on your collection that you requested.”

He looked at me aggrieved. Offended, even. The way his forehead crumpled made me more aware of the thinning hair at his temples. Even disheveled, he was no less handsome. However, I pondered whether he might feel a sense of loss for the way he used to look. On my previous viewings of him, he looked like someone who was used to being seen and spoken of as a very handsome “young” man. Although he wasn’t superbly weathered, he now had the face of a man who had endured. A sad wisdom brought the tops of his eyelids a little lower. His jawline was a bit less tenderly set because his teeth were more used to being gritted together from stress. I supposed it was grief. He had lost his wife less than a year before, after all, leaving him with only his son.

“Why on earth would he do that? This hasn’t even been discussed. Had he accepted the commission, I would have had the books sent to Manchester.”

Ah. This I had not considered. I remembered the words on the letter. I was sure that it was an invitation to stay and restore the library. My mouth was dry as I prepared my next lie.

Excerpted from THE LIBRARY THIEF by Kuchenga Shenjé. Copyright © 2024 by Kuchenga Shenjé. Published by Hanover Square Press, an imprint of HarperCollins.

Author Bio:

KUCHENGA SHENJÉ is a writer, journalist, and speaker with work on many media platforms, including gal-dem, British Vogue and Netflix. She has contributed short stories and essays to several anthologies, most notably It’s Not OK to Feel Blue (and Other Lies), Who’s Loving You and Loud Black Girls. Owing to a lifelong obsession with books and the written word, Kuchenga studied creative writing at the Open University. Her work is focused on the perils of loving, being loved and women living out loud throughout the ages. The Library Thief is the ultimate marriage of her passions for history, mystery and rebels. She currently resides in Manchester, where she is determined to continue living a life worth writing about.

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Wednesday, May 15, 2024

Blog Tour: Guest Post from Lisa Braxton, author of Dancing Between the Raindrops

Publisher: Sea Crow Press
Print length: 158 pages
Purchase a copy of Dancing Between the Raindrops on
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 Dancing Between the Raindrops: A Daughter’s Reflections on Love and Loss, is a powerful meditation on grief, a deeply personal mosaic of a daughter’s remembrances of beautiful, challenging and heartbreaking moments of life with her family. It speaks to anyone who has lost a loved one and is trying to navigate the world without them while coming to terms with complicated emotions.
Lisa Braxton’s parents died within two years of each other—her mother from ovarian cancer, her father from prostate cancer. While caring for her mother she was stunned to find out that she, herself, had a life-threatening illness—breast cancer.
In this intimate, lyrical memoir-in-essays, Lisa Braxton takes us to the core of her loss and extends a lifeline of comfort to anyone who needs to be reminded that in their grief they are not alone.
Enjoy this guest post from the author:

Lessons Learned While Getting my MFA

Lisa Braxton


It’s been 14 years since I earned my MFA in creative writing, and I’ve had plenty of time to reflect on the experience. I can say with confidence that if not for enrolling in an MFA program, I would not be a published novelist and memoirist.

My dream since childhood was to write a novel. As I got older, I realized that I needed to have a career, that I couldn’t support myself thinking up stories and writing them. As a result, I decided to be practical and majored in journalism when I went to college. I spent the first 20 years of my work life in various forms of the field—newspaper reporting, television news anchoring and reporting and radio news reporting—honing my writing skills, handing in finished pieces on deadline, and learning to appreciate the skill of a good editor to put a finishing polish on my stories.

However, the downside of working in journalism was that I would come home after a shift mentally exhausted and unable to think creatively.

After I concluded my journalism career, I arrived at the low residency program at Southern New Hampshire University armed with a 10-page submission I’d been working on for years but didn’t have the know how or time to take it further. Here are some lessons I learned while getting my MFA.

You have to sacrifice something

In order to complete my novel with the two years allotted in the program I’d have to spend at least 40 hours a week on my writing. To make that happen I gave up nearly all of my television watching and cut down on phone conversations.

I had to get to know my characters

In my 10-page submission, my characters were wooden, one-dimensional beings. The professor who was assigned to be my mentor had me create a lengthy biography on each character to get to know them and have them behave within character throughout the manuscript.

Writing is only the beginning

Each chapter that I submitted to my professor for review was merely the first version of a chapter that would be rewritten more times than I can remember for how it worked as a self-contained entity and how it flowed with the rest of the manuscript.

Graduation day is bittersweet

I would miss my classmates who I’d had critique sessions with, and open mic events at the campus pub. They’d become my friends and support system as we navigated the challenges of trying to create a salable manuscript.

The road to publication can be daunting

The SNHU MFA program had a board of advisors made up of literary agents. During graduation week I pitched my novel to several of them. They smiled politely and suggested that I continue working on my draft. Several graduates who’d completed the program before I entered were on campus that week. Some had self-published. Others had gone to small presses. And still others put their manuscript in a drawer and gave up on it.


The MFA program was the right decision for me. It gave me the jump start I needed to turn my initial 10 pages into a 300+page manuscript that eventually became my published novel, The Talking Drum.


About the Author

Lisa Braxton is the author of the novel, The Talking Drum, winner of a 2021 Independent Publisher (IPPY) Book Awards Gold Medal, overall winner of Shelf Unbound book review magazine’s 2020 Independently Published Book Award, and winner of a 2020 Outstanding Literary Award from the National Association of Black Journalists and a Finalist for the International Book Awards. She is also an Emmy-nominated former television journalist, an essayist, and short story writer. 

She is on the executive board of the Writers Room of Boston and a writing instructor at Grub Street Boston, and currently serves as President of the Greater Boston Section of the National Council of Negro Women and is a member of the Psi Omega Chapter of Alpha Kappa Alpha Sorority, Inc. 

You can follow the author at:



Twitter: @Lisaannbraxton  OR @LisaReidbraxton

Instagram: @lisabraxton6186

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Friday, May 10, 2024

Review: Fake Southern Fiance by Brittany Holland

Brittany Holland
Release Date: March 28, 2024
Cover Design: Sarah Paige

When you’re a famous wedding planner, planning your own wedding, everyone expects it to be the event of the year.

Just one problem… I don’t actually have a groom.

I did—but then he decided to walk away before I even walked down the aisle.
Now if I want to save my reputation, and my business, I need to find someone willing to play the part of my fake southern fiancé and pull off my small town wedding without a hitch.

Fake Southern Fiancé is part of the Magnolia Grove series.  This one involves Lucy and Beau.  Lucy is a wedding planner and she is hoping to use her own wedding to help gain some national recognition in her favotire bridal magazine.  After being dumped right before the interview, she decides to go out on a limb and have a hot one night stand.  Of course things never go as planned right? I thought this was a sweet addition to the series.  I loved  Lucy  and Beau together.  Watching them fall in love was just really fun.  They were a couple that I could really root for.  The family and friend supporting cast ambers added a lot of humor to the book.  I definitely recommend! It's available on Kindle Unlimited, so give it a try.

Thursday, May 9, 2024

Review: Chasing Wild by Kristen Proby

Chasing Wild by Kristen Proby is now live! 
From New York Times bestselling author Kristen Proby comes an all-new Small Town, Friends to Lovers, Law Enforcement romance.
Summer Quinn’s life changed five years ago when she walked in on her boyfriend and her best friend in bed together. She silently left, ghosting both of them, and never looked back. She came to Bitterroot Valley, looking for a fresh start, and that’s exactly what she got.
After purchasing the local floral shop from her eccentric aunt and finding herself again in the absolute delight she brought to the community, Summer feels welcome and safe in her new home.
But things have started to happen. At first, she could blow it off as bad luck, or kids starting trouble. But then the bad luck turns into serious, life-threatening incidents that can’t be ignored.
Bitterroot Valley is Chase Wild’s town. His family settled the area almost a hundred and fifty years ago, and as a police officer, Chase takes pride in keeping his community safe. Sure, he’s had his eye on the gorgeous florist since she moved to town, but he’s kept his relationship with her strictly professional.
Now, someone’s trying to scare Summer. She claims she doesn’t know why, but Chase is determined to get to the bottom of it and drive the danger out of his town. As time passes, and the more he gets to know Summer, the harder it is to keep his hands off of the beautiful woman. With their connection growing, he’s falling in love with her and will do anything to keep her safe.
As Chase learns the truth of who is threatening Summer, will he be able to protect her, and will their love withstand the challenges ahead?

Chasing Wild is a standalone, contemporary romance novel, and book two in the picturesque Wilds of Montana series. 

  Download today or read for FREE with Kindle Unlimited
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Narrated by: Stella Hunter & Connor Crais
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My Thoughts:

Chasing Wild is the second book in the Wilds of Montana series.  This one is Chase and Summer's story.  I was really looking forward to this one because I enjoyed the first book immensely.  This one did not disappoint.  Chase and Summer have been kind of circling each other for years.  When Summer finally gives in and agrees to a date with Chase, sparks fly.  I loved these two together.  I loved how Chase took things really slow with Summer.  It really built up anticipation for that first kiss.  There is a little mystery as to who is trying to make Summer's life miserable.  I liked that part of  the story as well.
This is a great addition to the series and I can't wait to read Ryan and Poppy's book next!

About the author:

Kristen Proby is a New York Times, USA Today, and Wall Street Journal bestselling author of over seventy published titles. She debuted in 2012, captivating fans with spicy contemporary romance about families and friends with plenty of swoony love. She also writes paranormal romance and suggests you keep the lights on while reading them.
When not under deadline, Kristen enjoys spending time with her husband and their fur babies, riding her bike, relaxing with embroidery, trying her hand at painting, and, of course, enjoying her beautiful home in the mountains of Montana. 
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