Spotlight: Excerpt from Shattered, part of the Annalisse series by Marlene M. Bell

Author: Marlene M. Bell
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Every mystery has a history, and for Annalisse Drury, those histories are never far from danger. As an antiquities appraiser, Annalisse begins her journey cataloging priceless artifacts, but soon finds herself confronting conspiracies and crimes that cross borders and defy her expectations.

The saga begins in Stolen Obsession, where cursed Persian jewelry ties Annalisse to murder and introduces her to Alec Zavos, whose family legacy will intertwine with her own. In Spent Identity, Annalisse returns to her family farm in New York only to discover her aunt missing and a body concealed in the barn, unraveling hometown secrets rooted in betrayal. Scattered Legacy transports her to Italy, where Mafia ties, embezzlement, and corruption threaten to destroy Alec’s family reputation. And in Copper Waters, Annalisse seeks respite in New Zealand, but instead uncovers political corruption, mysterious deaths, and betrayals that force her to question everything she thought she knew. Together, the four novels create a series that balances danger with romance, history with suspense, and delivers twists readers will never see coming.

Excerpt from Scattered Legacy:

SCATTERED LEGACY

 

CHAPTER FOUR

The reception area is completely empty, and there’s a smell like metal in damp dirt circulating overhead. Farther in, the ceiling fan is hovering on high speed, and the windows are open.

A dead body inside a warm office leaves an unmistakable odor behind, as did the body Ethan found inside the stall at Walker Farm. Decomp is one smell that sticks with you forever. Adding to the office creepiness, who chose the interior’s decor? We’re surrounded by limestone walls painted an ugly shade of ochre, slightly more yellow and definitely more unappealing than the building’s exterior. The rooms will need another coat of fresh paint to cover a harsh stench known to stick to the walls like cigarette tar does.

No one is nearby, not even the receptionist.

The office cubicles are silent but for a few flapping papers. Not a single desk phone is ringing. It’s like the office decided to have a fire drill midday, and the employees left their computers on and didn’t bother to close folders—open to anyone passing by. Frames holding pictures of sweethearts and children stand by as guardians for the people who are absent from their high-back swivel chairs.

Officer Raffa returns and mutters in heavy Italian brogue, “Il signore is waiting for his… avvocato difensore.” He points to the room with a closed door. “Come, Mr. Zavos. Your friends stay here.”

“Josh is in there waiting for his defense attorney. Back soon.” Alec touches my arm and looks at Bill, sending him a private message.

Alec’s led to a side office, and the solid door closes behind them.

“Is Alec signing autographs, or should I even worry about what’s going on in that room? Has Josh been here the entire time messing with evidence?” I ask Bill.

“Alec’s prepared for all contingencies. I’m surprised they haven’t taken Jennings down to the station by now.”

A few minutes later, Alec emerges by himself. “They weren’t going to allow us to talk to Josh, but I persuaded him. It shouldn’t be much longer.”

For what feels like an eternity, we sit in ladderback pine chairs with brown cushions while Alec keeps adjusting his watch. I don’t know what Alec had to promise the officer. Autographs are fine with me, but if he had to pay him off, I’d rather not know.

“I hope Brad is parked in the shade somewhere.” Alec looks at his watch for the eighth time in twenty minutes and turns to me. “Now that we’re here, they seem to be in no hurry to get rid of us. I’m sorry, Anna. Hold on a little longer.” His smile is an honest one full of regret.

I’ve heard the sentiment from him so often it doesn’t even register with my brain anymore. We both have a lot of work to do in the I-promise-to-do-better department.

The closed door at the back wall opens, and a guy pokes his head out, surveying the room. He’s fiftyish and, with his reading glasses, reminds me of Gen’s studious accountant.

Alec pivots, and his earlier smile vanishes.

“That’s Jennings,” Bill says quietly.

“Yes.” Alec waves to draw the man’s attention.

A confused Josh looks at us and then the floor as if he’s embarrassed. Eventually he settles his eyes on Alec. “I wasn’t sure you’d come. My attorney should be here soon. Come back to the conference room.”

Bill asks Alec, “Is it okay to go on ahead?”

Alec must have compensated the officer well to allow us entry this close to the crime scene.

“Let’s get this over with.” Alec seems queasy.

The three of us move through the aisle between desks and toward the room with a door left open for us. Josh has already gone inside. For someone who wants Alec’s help, he sure doesn’t appear happy or grateful for his effort. A huge effort. This had better not be Josh’s way of buying himself out of the woman’s death. The disgrace of being fired from Signorile after Pearce’s tragedy has to hurt his pride.

There’s news of a deadly virus moving through Europe, and the typical handshake is no longer being used between business execs.

Bill lifts his arm and catches himself. “Mr. Jennings? My name is Bill Drake, an associate of Mr. Zavos. You’ve asked to see him, and we also have some questions for you on another matter.”

“Wonderful.” The man in a sweaty, slept-in polo isn’t thrilled with us staring him down. There’s frost in the room as testosterone flies between glances. No one wants to be the first to break the sheet of ice forming around the presumed blue-eyed killer. Alec hasn’t made any assumptions yet until we talk to him, but Josh’s cool facade feels calculated to me. A superior to Alec, or something like that. For an innocent, I don’t like his peculiar behavior in the presence of a man who’s here to keep his neck from a noose.

“I asked to see Alec. Who are the rest of you?”

He’s behind a chair, using it as a shield to save himself from a CEO who wants to take his livelihood from him again. Or is it because he’s guilty of ending a woman’s life?

Alec pulls out the chair for me, and we all sit at the long conference table with a fancy letter F embellished in the center.

Josh’s temples bead with sweat, and he’s wringing his hands next to a wool felt fedora hat with a band. They seem to be popular in Italy. The guy’s bloodshot eyes and dark circles are sure signs of insomnia and stressing to the max. Wet ovals hang beneath the armpits of his beige shirt.

Alec’s unshakable gaze lands on Jennings, who abruptly turns away.

This meeting isn’t opening well.

Bill addresses Josh. “We don’t have a lot of time. Authorities aren’t thrilled with us questioning you, but they were… let’s say, swayed. Tell us what happened here?”

“She was tied and tortured in my office after I left the night before last. I opened the building in the morning at seven and found her lying on her side, strapped to a chair and wrapped in wire near my desk. Lots of blood.” Josh holds a paper towel over his mouth, then uses it to wipe away perspiration. “When I left the building, she was in the conference room. I have no idea how she ended up in the office. Maybe the cat went in there.” He slides the fedora into his lap.

“Who is she?” Alec asks.

“Benita Alvarez.” 

About the author:

Marlene M. Bell is a storyteller whose creativity bridges novels, art, and photography. Her Annalisse series has been honored with Best Mystery awards, the IPPY for Best Regional Australia/New Zealand, the Global Award for Best Mystery, and Chanticleer’s shortlist for Copper Waters. Marlene also shares her creativity with younger readers through Mia and Nattie: One Great Team!, a picture book based on true events from her East Texas sheep ranch, celebrating belonging and unconditional love. When not writing, she works as an artist and photographer, bringing her passion for creativity to life in many forms. Connect with her on her website, Instagram, Facebook, and X.