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Saturday, January 14, 2023

Spotlight: Excerpt from Waking Fire by Jean Louise

 



Jean Louise
On Sale Date: January 10, 2023
9781335428578
Hardcover
$18.99 USD
Ages 13 And Up
384 pages

BUY LINKS: 
Bookshop.org
IndieBound 
B&N 
Amazon 
 
This incendiary YA fantasy debut follows a girl who will stop at nothing to save her village after it’s discovered by a dangerous warlord and his army of undead monsters. Perfect for fans of A Song of Wraiths and Ruin.
 
Naira Khoum has only known life in Lagusa, a quiet village at the desert’s end. But to the rest of the world, Lagusa is a myth, its location shrouded in secrecy. While war rages to the north led by power-hungry Sothpike and his army of undead monsters called Dambi, Naira’s people live in peace.
 
Until the impossible happens—Lagusa is attacked by a Mistress sent to do Sothpike’s bidding with a hoard of Dambi under her control. The Mistress is looking for something, and she’s willing to let her Dambi destroy Lagusa to get it.
 
Desperate to protect her home, Naira convinces her twin brother Nez and handsome refugee Kal to join the newly formed resistance with her. Together, they’ll have to figure out what the Mistress wants—before there’s nothing left of Lagusa to save.

Here is a sneak peek:

CHAPTER ONE


“FIVE SILVERS FOR TWO KUFFAS OF RICE?” I SHAKE MY head at the exorbitant price and back away from the grain merchant’s stall. “My mother would kill me. I’ll give you two silvers.”

The merchant’s eyes widen in shock. “Two silvers? I can’t do that. My children have to eat too!” He holds out the sack of rice. “I’ll give it to you for four.” When I don’t immediately agree to his offer, he shakes the bag. “The market’s closing. You won’t find a better deal anywhere else. Here, take it.”

He’s right that my options are limited. The stall my mother usually purchases grain from has already closed and most of the other merchants are putting away their wares and board-ing up their stalls. But four silvers is still too much.

“Two and a half.”

The merchant grimaces as if my counteroffer hurts him. “Three, and I won’t go any lower.”

I can tell he’s finished haggling, so I have no choice but to agree. “Fine.”

While he fastens a rope around the opening of the sack, I fish out three silver rubes from the leather money pouch tied around my waist. Omma’s not going to be happy. She sent me to the market to buy spices and rice for dinner when the sun was six hands from the western horizon, but I took so long picking out incense at my favorite shop that by the time I got around to the errand my mother sent me on, the market was shutting down for the evening.

I hand the merchant the money and he passes me the sack of rice.

“Thank you for your business, samida,” he says with a smile. “See you again!”

The merchant bows and I roll my eyes as I return the ges-ture. I’ll never come back to his stall even if he were the last grain merchant in all of Lagusa. We both know he’s ripped me off, and his satisfied grin makes me scowl even more.

I only have three silver rubes and four coppers left to buy the rest of the ingredients on Omma’s shopping list: cumin, ground red chilis, honey, and dried orange peels. The chilis will be the most expensive, so I’ll buy them first and then see what I can get with whatever rubes are left.

Even though the market’s closing, the roads squeezed be-tween stalls and mud-brick buildings where one buys spices and cloth, jewels and swords, livestock and produce are still busy enough that I can’t run to the next open spice shop. The remaining merchants and customers haggle over prices while dirty children hold out their hands for scraps and coins. The savory aroma of charred meat cooking on a grill makes my stomach grumble as I pass the crowded food stalls, but that’s quickly replaced by the flowery scents coming from up head. Perfumed air engulfs me as I cross Honey Street: the place where those who can afford it go to soak their bodies in cleansing oils and fragranced water.

I find an open spice shop with a bowl of ground chilis right out front. I motion to the owner, but she ignores me, her eyes on something farther up the road.

“Excuse me, samida,” I say, trying to get her attention. “I’d like—”

The owner shoos me away with a wave of her hand with-out even giving me a glance. Annoyed, I follow her gaze to see what could be so important.

A few stalls down, a plume of black smoke rises above the open market.

“Is that a fire?”

The woman nods. “I think so.”

As we watch the pillar of smoke grow, more and more people gather in the street, their eyes transfixed on the dark clouds bisecting the sky.

“It’s those Haltayi,” a man next to me says, a sneer in his voice. “They brought in one of those mangy desert animals, what do you call it?”

“A maugrab?”

“Yeah, the damn thing went berserk. There was some kind of scuffle and a lantern got knocked over and set their tent on fire.”

I stand on my toes to peer over the heads of those in front of me, but it’s no use. I can’t see anything except the smoke. “What happened to the maugrab?”

The man shrugs. “Burned to death, I guess. There’s no way it could have survived those flames.”

A frenzied roar fills the streets, quieting the crowd with its intensity. The maugrab isn’t dead yet.

I’ve always felt sorry for maugrabs—they’re sickly creatures that the Haltayi nomads capture out on the plains beyond the village and charge parents a few rubes to let their children tug on their matted manes or ride on their bony backs. Selling maugrab rides is one of the few ways Haltayi make money to buy supplies so that they can survive the Rocky Plains, but the maugrabs always look so sad, so beaten, as if the rope that keeps them tied to a stake in the ground is sapping all of the life out of them.

I can’t turn my back on a creature in pain, not if there’s something I can do to help. I forget the orders from my mother to not dally and push my way through the crowd to-ward the fire.

The smoke thickens as I get closer, stinging my eyes and making me cough, but I trudge ahead. I finally burst through the crowd and see the Haltayi nomads tossing buckets of water onto the flames, which rage like a beacon in the night. Mer-chants with stalls on either side of the fire are clearing out their wares while using wet cloths to beat away the flames that lick their wooden structures.

The maugrab roars again. A wall of flames separates the animal from safety. Through the fire, I catch glimpses of the poor beast, its mouth open wide, its heavy paws pacing back and forth. Its short snout contains massive, sharp teeth, and anxious muscles ripple beneath the rust-colored fur covering its broad shoulders and hindquarters. Waves of heat prevent anyone from getting too close and helping.

Someone has to do something, or that maugrab is going to die.

Dropping my purchases on the ground, I run toward one of the stalls and climb on top of the structure, my feet sink-ing into the cloth awning. A merchant grabs at me, yelling for me to get down. I kick his hands away and jump onto the next stall, then the next, until I’m on top of the stall closest to the crackling flames.

I can hear more people hollering for me to come back, but I ignore them. Looking down, all I see is fire and smoke. The sides of the tent have burned away but the crates and furni-ture that lined the walls are still on fire. What remains of the top of the tent is in flames, but the section closest to me has already burned away. I’m about to turn back—the foolishness of my actions has finally caught up with me—when I catch sight of the maugrab through the haze.

I look into the maugrab’s eyes, and I see that it wants to live. There are so many people standing around, watching, some of them crying, but no one’s doing anything to help. The maugrab’s going to die unless I do something.

I have to act fast if I’m going to save the maugrab. Luckily the roof of this stall is made of wooden planks and not fabric. I cover my face with my arms, grit my teeth, and pray to the gods that I land on the other side of the fire and not within the flames.

A gasp erupts from the crowd as I leap over the flames. The heat briefly singes my skin before I hit the ground with a thud. My pants are on fire, the hungry blaze eating the thin cloth. I beat out the flames with my hands and get on my hands and knees.

The only sound is the roaring fire, and acrid smoke coats my lungs with every breath. I’ve never felt such heat and I’m instantly drenched in sweat. It’s difficult to see, so I crawl to where I last saw the maugrab and cry out with relief when my hand brushes a furry paw.

The maugrab is lying on the ground, its breaths shallow. I climb to my feet and tug on the beast’s rough mane.

“Come on,” I say between coughs. “Get up!”

Slowly, the maugrab gets on all fours and I rub the sleek reddish-brown fur on its powerful shoulders.

“There’s only one way out of here,” I tell the animal, point-ing at the top of a stall, barely visible over the wall of flames. “And I can’t make the jump. Can you do it?”

The maugrab starts forward but is held back by the rope around its neck tied to a stake in the ground. I make quick work of the knots, and the maugrab shakes its mane and roars when it’s free.

I climb on the beast’s back and grab hold of its mane, my mind racing with prayers to the gods that I can actually pull this off. With a powerful lurch, the maugrab leaps and clears the fire, landing on top of the wooden stall with a skid and digging its claws into the wood to stop us from sliding off.

A cheer rises up among the crowd. I’m grinning, reckless but triumphant.

“You did it,” I tell the maugrab.

The rickety stall wobbles beneath us and the maugrab jumps onto the ground as the roof crashes down.

We’re immediately surrounded by onlookers, many of them clapping me on the back and congratulating me as I slide off the maugrab. A Haltayi woman runs up and wraps her arms around the animal’s neck, as a Haltayi man bows deeply be-fore me. “Thanking you, samida,” he says in his thick accent.

My cheeks flush from the attention and I return the bow. Before I can get caught up in all the smiles and excitement, the structure that enclosed the maugrab finally collapses. Swirls of fiery ash and smoke ride the gust of wind released by the falling structure before descending on the crowd. Cries ring out as hot embers fall on bare skin, and I’m jostled aside by elbows as those around me slap at the little fires clinging to their clothes.

Coughing and stumbling, I move aside to clear a path for more buckets of water to douse the flames and find myself shoved into an alley. I take a moment to collect myself, my heart still racing, when I realize I tossed the expensive rice aside to save the maugrab. I still need to buy everything else on Omma’s list, but with the market in such disarray and with most of the shops already closed, I don’t know if that’s pos-sible. And now that all the excitement has waned, exhaustion has taken over, and I just want to go home.

I wipe the sweat from my face with the hem of my scarf and groan when I see the streaks of black on the light blue fabric. Maybe if I explain to Omma what happened with the maugrab, she won’t be disappointed that I didn’t buy any of the things she asked for and why I returned in such a state.

Deciding I’d rather be scolded by Omma than deal with the market again, I head down the alley, toward the main road that will take me home. I pass boxes of refuse filled with rotting vegetables, discarded sacks of mealy grain, and rolled-up rugs with frayed edges and covered in stains. I’m halfway through the alley when I hear a group of voices coming from the shadows on my left.

“You’re such an idiot!” a girl yells and I stop in my tracks. She’s shrouded in shadows, but I don’t need to see the girl to know who’s yelling.

Hamala Mugabe is the last person I’d want to meet in a dark alley.

Not because I’m scared of her. But because she makes my blood boil.

At school, Hamala seems to get all her pleasure picking on younger students, and anyone who tries to stop her gets it worse. I’ve had no choice but to step in a few times to de-fend someone against her bullying and that’s made me one of Hamala’s top targets. Now, every time we encounter each other, we’re both on guard, waiting for the other to strike so that we have an excuse to strike back. It’s as if a lifelong bond has formed between us: one that pits one girl against the other, always in conflict, resolution residing in the strength of our fists.

“By the Fires, I swear I ought to bash your head in,” Hamala continues. “It was supposed to be a quick grab. We had the hard part—we were the distraction! All you had to do was sneak in, steal his purse, and sneak out, and you couldn’t even do that.”

So now Hamala’s stealing too. I thought I had reached the limit of how much I could loathe another person, but  Hamala always finds a way to push me. She doesn’t even need the money—everyone knows the Mugabe family has plenty. She only gets away with terrorizing others because her fam-ily always buys her way out of trouble.

The last thing I feel like doing right now is confronting her, so I try to sneak by. But I can’t help overhearing their con-versation as I pass the darkened alcove where they’re hiding.

“How was I supposed to know that maugrab was there?” another girl whines. She sounds like Jalaan, one of Hamala’s lackeys. “You know I’m scared of those things, and you said the tent was empty!”

I pause midstep, one foot barely touching the ground. They can’t be talking about what I think they’re talking about, can they? Did Hamala and her goons try to steal from the Haltayi, who are some of the poorest people in the village? Stealing from them is like snatching a beggar’s cup of change.

“You’re blaming me for this mess?” Hamala says, her voice menacing.

“Well,” a third girl chimes in, “no one told you to start a fire.”

I stiffen in shock, my eyes wide. My feet are rooted to the ground. I knew Hamala was dangerous, but now she’s gone too far. So many people lost their livelihoods in the fire, not to mention the Haltayi losing their tent. And that poor mau-grab would have died if I hadn’t jumped in to save it.

I have to confront her. If I don’t, no one will know what she’s done, and then there’ll be nothing preventing her from doing something even worse next time.

Behind me, the market is emptying as the last fires are dampened. A group of watchguards inspect the smoldering remains of the maugrab’s tent while a few stall owners lin-ger, many of them distraught over the damage. Hamala did this—she caused all of this destruction.

“You’ve gone too far this time, Hamala,” I say, stepping into the brightest section of the alley. “Picking on kids in the schoolyard is one thing, but stealing from Haltayi? Arson? Ei-ther you turn yourself in, or I will.”

Slowly, as if she is the hunter and I am the prey, Hamala emerges from the shadows with three of her friends behind her.

“You bitch,” she growls as she moves in front of me. Her lackeys stand behind me, blocking the only other exit. I wish I had my twin brother, Nez, with me to make this fight more even. But then again, he’s always telling me not to fight. “I’m getting so tired of seeing your ugly face. Everywhere I go, there’s Naira Khoum sticking her nose in places where it doesn’t belong.”

I don’t clench my fists even though I want to. But if Hamala takes a swing at me, I’ll have no choice but to defend myself and deal with Nez’s disappointment later.

“If you weren’t always causing trouble, I wouldn’t be here. I’d be home right now eating dinner. It’s because of the fire you set that I’m here among all this garbage trying to con-vince you to do the right thing.”

Hamala puffs out her chest. “Did you call me garbage?”

My stomach sinks. I should have known trying to reason with her would be a waste of time. She twists everything I say into an insult.

“I think she called all of us garbage,” Jalaan says from be-hind.

A fight is coming—a big one. I can feel it in the charged air between us, hear it in the way Jalaan and the others snicker nastily behind me, see it in Hamala’s clenched fists. I turn to the side so that I can keep my eyes on Hamala and the others.

Hamala curls her lip in a menacing snarl and looks down at me. “I think so too. And I know exactly what to do to someone who calls me names and can’t keep her nose out of my business.”

Hamala reaches out to shove me, but I’m too quick. I knock her arms aside and plant my foot squarely in her stomach, kicking the air out of her lungs and sending her flying back-ward. She lands sprawled out on the ground, stunned. The other girls look at each other, not sure what to do, waiting for their leader to guide them, but Hamala can barely talk. Tears run down her cheeks, catching the dust that clouds the air from her fall.

“Get her!” Hamala wheezes at last.

The next thing I know, the other girls are on top of me, pulling my hair, trying to scratch my face and knock me to the ground. One yanks me by the arm while another tries to kick my feet out from beneath me.

I have no choice but to fight back. My father started train-ing me in combat as soon as I was big enough to hold a sword, so I try to end this fight quickly. I punch the tallest one in the chest, knocking her breathless, and grab the arm of an-other girl and twist it behind her back. She whimpers in pain.

By now, Hamala has recovered her breath and is standing. She charges, knocking me and the whimpering girl to the ground. I push the girl off me and try to get on my feet, but Hamala kicks me in the stomach once, twice, three times. I can’t breathe, my abdomen throbs with pain, and I lie on my side gasping for air. Then Hamala grabs my arms, wraps her legs around my waist, and holds me down. I thrash around in an attempt to free myself, but her grip is tight.

Hamala yells out something to her lackeys, but I’m so fo-cused on our struggle that I barely register what she’s saying.

She yells again: “Do it! Do it now!”

I glance at the other girls, afraid because whatever she has planned, it’s going to hurt. I only catch a glimpse of the heavy rock in Jalaan’s hand right before she cracks me in the head with it.

The entire side of my face explodes with pain and my head lolls to the side. Hamala releases me from her grip with a laugh. I crumple to the ground, dizzy and nauseous, and touch shaking fingers to my forehead. They come away bloody.

Hamala kneels in front of me and grabs the collar of my tunic, bringing us face-to-face. She’s so close I can see the crust in the corners of her eyes.

“This is what happens when you keep getting in my way, Khoum.” She shoves me and I fall against a broken pot, the jagged edges scraping my back.

“You think she’s learned her lesson?” Hamala asks the oth-ers. She turns to me. “Well, you little snitch, did you?”

I can barely see straight, stabbing pains radiate throughout my skull, and I feel like I’m going to retch. But I still can’t let Hamala win.

I spit in her face and she jumps back in disgust.

“You rotten bitch!”

Hamala snatches the rock from Jalaan and towers over me.

I’m trying to get up, get out of the way of what I know is coming next, but I can’t seem to get my balance. The giant rears her hand back. I notice a dark spot on the rock and it occurs to me That’s my blood—and then the world goes black.

Excerpted from Waking Fire. Copyright © 2023 by Jean Louise. Published by Inkyard Press.




 
ABOUT THE AUTHOR:

Originally from Cleveland, Ohio, Jean Louise currently lives in Queens, New York, with her cat Martha. When she’s not writing, she can be found with her nose buried in a graphic novel or taking down bad guys in her favorite video games. She received an MFA in Writing for Children from The New School. This is her debut novel.
@WriteJeanLouise
 
SOCIAL LINKS: 
Author Website: https://jeanlouisewrites.com/
Twitter: @writejeanlouise
Instagram: @writejeanlouise
 





Friday, January 13, 2023

Blog Tour: Review of Mail Order Cowboy by Victoria James


Author: Victoria James
Publisher: Entangled: Amara (December 27, 2022)
Mass Market Paperback: 364 pages

Hope Roberts has a strict No Cowboys Allowed policy. Between raising her daughter, running her business, and trying to settle into her new ranch, Hope has no room for romance?especially when it comes to cowboys. What she needs is someone to help fix her ranch. But the only person to respond to her ad is the one man Hope still blames for her husband’s death… 

In Wishing River, Dr. Dean Stanton is pretty much a legend. Cowboy, doctor, heir to his family’s ranching empire?everyone knows and loves him…with the exception of Hope. But Dean doesn’t trust a complete stranger to keep Hope and her daughter safe. And despite their troubled past, he’s still the best cowboy for her job.

Bit by cautious bit, Hope’s little family of two is making room for the man she once thought of as her enemy. Until one day, Dean looks like the perfect exception to her “no cowboys” rule. But he’s been keeping a secret from her that could destroy their newfound family…

Each book in the Wishing River series is STANDALONE:
* The Trouble with Cowboys
* Cowboy for Hire
* Wishing For A Cowboy
* Mail Order Cowboy


Mail Order Cowboy is the fourth book in the Wishing River series.   This is Hope  and Dean's book.  As a series overall, the books have been enjoyable.  They are fairly clean romances and each can stand on its own.  This one was a sweet romance between two people who need each other, but aren't ready to take that leap.   I have been looking forward to Dean and Hope finally getting together.  They had been teased for a while.  I had a lot of fun watching them figure things out.  I loved Dean in the end.  I was cheering him on in that scene with his father.  I also really enjoyed the epilogue.  I do recommend this one as well as the series.


About Victoria James

Victoria James is a romance writer living near Toronto. She is a mother to two young children, one very disorderly feline, and wife to her very own hero. Victoria attended Queen’s University and graduated with a degree in English literature. She then earned a degree in interior design. After the birth of her first child, she began pursuing her lifelong passion of writing. Her dream of being a published romance author was realized in 2012. www.victoriajames.ca.

Instagram features:
Monday, December 26th: @pastbookish
Monday, December 26th: @randi_reads
Monday, December 26th: @booksandcoffeemx
Tuesday, December 27th: @nurse_bookie
Wednesday, December 28th: @nsiabblog
Thursday, December 29th: @gallaghergirlreads
Friday, December 30th: @nerdy_book_lover_1987
Thursday, January 5th: @megsbookclub
Friday, January 6th: @everlasting.bookworm 

REVIEWS:
Tuesday, January 3rd: @sarahs.bookish.reviews 
Tuesday, January 3rd: Jathan & Heather
Tuesday, January 3rd: SusanLovesBooks
Wednesday, January 4th: @temmathomas
Thursday, January 5th: @kingarthurof_cat_onsville 
Friday, January 6th: Satisfaction for Insatiable Readers 
Monday, January 9th: @jenniaahava
Monday, January 9th: Stranded in Chaos
Monday, January 9th: The Romance Dish
Tuesday, January 10th: @edensbookden
Wednesday, January 11th: @bookish.heidi
Thursday, January 12th: @books_and_biewers 
Friday, January 13th: @lowkey.bookish 
Friday, January 13th: From the TBR Pile
Monday, January 16th: @readaholicdeb
Wednesday, January 18th: @infinite.readlist 
TBD: Friday, January 6th: @thesleepybookworm

Thursday, January 12, 2023

Blog Tour: Excerpt from Dead Reckoning by Lea O'Harra

Dead Reckoning by Lea O'Harra


Dead Reckoning by Lea O'Harra

Dead Reckoning by Lea O'Harra
Publisher: Sharpe Books-UK (Sept 29, 2022) 
Category: Crime Fiction, Family Life, Kidnapping 
Tour dates: January 5-31, 2023
 ISBN: Coming Soon 
ASIN: B0BGYG3HGX Available in Print and ebook, 289 pages Dead Reckoning

Indiana, January 2010. It’s a hot summer’s day in 1984 when twelve-year-old Gilly and her friend Sally find a dead new-born in a shoebox in the cemetery of their tiny town. Deciding to keep their discovery a secret, they bury the body in Gilly’s yard. The results are disastrous. Flowers are mysteriously left on strollers. Two local children disappear and end up dead. A suspect is arrested and confesses, blaming the deaths on the girls’ having taken the dead baby. Gilly grows up but is haunted by what’s happened. As a young woman, she flees the town and its memories, going all the way to Japan. Returning with her Japanese husband Toshi to attend her mother’s funeral, Gilly finds the past is not past. She’s threatened, and someone is putting flowers on strollers again. When another child is abducted, Gilly knows she must discover the truth about what happened all those years ago before more lives are lost.


Enjoy this excerpt:

Chapter One

 

I wonder if there’s any redemption, any forgiveness for our sins. I’m thinking of my own

crimes, of course. Can allowances be made for age? I was only twelve after all. Or for intention? I meant no harm. It occurs to me I’ve returned home not only to bury my mother but also to bury regrets. I’m desperate to escape the black cloud that’s shadowed my life for twenty-six years.

 Some houses hold secrets. In my case, it’s not the house itself—not my childhood home in northern Indiana—but an old elm standing to the right of it, just beyond the porch. It’s under that tree that my friend Sally and I buried a dead baby girl we’d found in the town cemetery a few hours earlier, in a box hidden in the long grass.

 Now, decades later, standing on the porch as an adult on a chilly winter’s day, I look over at the tree. Advanced age, Dutch elm disease and a few storms have nearly done for it. It’s half its former size now: just a two-foot trunk with a few shoots sticking out of it. It looks innocuous enough. But even seeing the tree in that truncated state brings it all back. What Sally and I had done was in haste, almost without thought. And yet. And yet. The results were disastrous. We ended up getting our lives derailed and our friendship ruined. We even inadvertently caused other deaths. And it was all because we were two silly little girls who wanted to keep our discovery a secret.

 I shake my head. I can’t bear to remember. It’s said we can escape worrying about the past and fearing for the future by focusing on the here and now. So, I try to distract myself by looking around. I haven’t been back in ages. I wonder if I can see my old home through the eyes of a dispassionate observer.

 But when I look around, what I experience isn’t the distraction of curiosity, the stirring of interest in how it may have changed since I last saw it. It’s dismay. Horror even. And then I feel surprise because my husband, never the most intuitive type, seems to have read my mind. “A dump!” Toshi says, frowning.

 My thought exactly. A dump! I was last here in 2007, over three years ago, flying to Chicago from Osaka and then making the two-hour drive home. The house and grounds weren’t so bad then. Now the place looks derelict, abandoned, uncared for. Did Mom give up?

 A dump! It’s a two-story wooden house set in a grassy yard that was crowded with flowers, bushes, and trees when I was a child. It’s big and solid and has a front porch. I used to be proud I lived here.

 No more. The house needs a new coat of paint, one of the porch pillars is rotting, the windows are dirty, and the yard is a tangle of weeds. Most of the trees bordering the road have been cut down, reduced to ugly little stumps.

 I walk over to the old red porch swing. A few seat slats are cracked. I want to sit down, curl up with my legs under me like I used to do on long hot summer afternoons. But the swing looks so rickety I imagine it would collapse under my weight. I peer through a window into the living room. The curtains are drawn so I see only my own reflection.

 A woman in her late thirties stares back at me. She has a wan, pinched face, a worried expression, long dark hair scraped back. She’s not unattractive, but she doesn’t seem to like herself. Given the state of her clothes and her appearance, she doesn’t take care of herself. She frowns at me.

 I turn away impatiently, noticing how the bright red shininess of the rental car we collected at O’Hare on arrival—-a Mazda—-makes everything around it look old, ugly. Weeds thrust up between the slabs of the sidewalk I used to play hopscotch on with Sally.

 “I’m tired,” Toshi whines.

 I wish he hadn’t come. I wish Mom was still alive. I wish…many things! Most of all, I wish I was twelve again. That I could tell Sally I didn’t want to play in the cemetery. That Sally hadn’t been so bossy. That I’d put my foot down, saying, “I hate going there, it gives me the creeps,” and walked home alone.

 If only I had. Then we wouldn’t have found the dead baby girl. Two children wouldn’t have died because we decided to keep her a secret. I wouldn’t feel I needed to expiate my crime committed unwittingly so many years ago.

 Other wishes. I wish I’d visited Mom more. I wish my husband still loved me. I wish I still loved him.

 One of Mom’s favorite expressions: If wishes were horses, beggars wouldn’t walk.

 I wish. I wish. I wish. But it’s too late.

 Mom! I deserve to be punished! How could I have been so heartless, not coming back for all of three years when she kept begging me to? I’d written long letters. I’d called. But I knew what she wanted. It was to see me in the flesh. That regret, that guilt will haunt me for the rest of my life. I blame that poor little dead baby. Coming back here would have meant remembering her, confronting the memories again. I shudder, realizing that’s exactly what I’m doing now.

 

© Lea O’Harra

 

 



Praise Dead Reckoning by Lea O'Harra

"Both a drama and a thriller, full of twists and human insight."-Thomas Waugh “The immediate declaration of past events,  the discovery and concealment of the dead baby, provides a gripping start to this book. The story is simple yet powerful, immediately drawing the reader into a world that identifies the challenges of growing up in a small town in Indiana. The book tackles the casual racism that is often overlooked, with great clarity. Although this is a crime novel it is also a powerful story about how a single childhood event can influence the future. It compels you to share the history and become part of the small-town network. Through a nexus of characters, we see how relationships that are made in our formative years, affect our lives. The story is more than a crime novel. It also serves to gives a fascinating insight into life in a small town in the USA, through the eyes of somebody who never really wanted to return."-ReallyPoshScouser, Amazon

Praise Lea O'Harra

“Lea O'Harra offers us a whodunnit set in a Japan labouring under the weight of cultural imperialism, a country where the characters find that their friends and lovers are really strangers  and imperfect ones at that...-Nick Sweet, author of the Inspector Velázquez series ’With her deep knowledge of Japanese culture, superb writing, and sensitivity to human foibles. O’Harra has crafted a cross-cultural whodunnit sure to please Japanophiles and mystery lovers alike.”-Suzanne Kamata, author of Losing Kei

Awards Lea O'Harra

Autumn 2017 “Lady First” was awarded ‘finalist’ status in the crime fiction section of the Beverly Hill Book Awards. ‘Lady First’ was also a finalist in the National Indie Excellence Awards in 2018.

Dead Reckoning by Lea O'HarraAbout Lea O'Harra

Lea O’Harra has published three crime fiction novels set in rural modern-day Japan: Imperfect Strangers (2015); Progeny (2016); and Lady First (2017). These comprise the so-called ‘Inspector Inoue Murder Mystery’ series originally published by Endeavour Press (UK). She has also had a story included in Best Asian Crime Fiction published by Kitaab Press (Singapore) in 2020. In the spring of 2022 Sharpe Books reissued the Inoue mystery series and, in September 2022, published Lea O’Harra’s fourth novel, Dead Reckoning, a stand-alone set in her tiny hometown in the American Midwest. Website: http://leaoharra.com Twitter: https://twitter.com/leaoharra/ Facebook: https://www.facebook.com/wendy.nakanishi/ Instagram: https://www.instagram.com/leaoharracrimewriter/ Pinterest: https://www.pinterest.co.uk/wendy19542012/

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Wednesday, January 11, 2023

Spotlight: Excerpt from Unseelie by Ivelisse Housman



Ivelisse Housman
On Sale Date: January 3, 2023
9781335428592
Hardcover
$18.99 USD
432 pages

BUY LINKS:

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Six of Crows meets the Iron Fey series in this high-energy YA fantasy that follows the adventures of changeling Seelie and her twin sister as they embark upon the heist of a lifetime for a mystery legacy. As they evade capture by both human and fae forces, Seelie discovers more about her own Autistic identity, her magical powers, and love along the way.


Twin sisters, both on the run, but different as day and night. As one searches for a fabled treasure, the other, a changeling, searches for the truth behind her origins, trying to find a place to fit in with the realm of fae who made her and the humans who shun her.


Iselia “Seelie” Graygrove looks just like her twin, Isolde… but as an autistic changeling trying to navigate her unpredictable magic, Seelie finds it more difficult to fit in with the humans around her. When Seelie and Isolde are caught up in a heist gone wrong and make some unexpected allies, they find themselves unraveling a larger mystery that has its roots in the history of humans and fae alike.


Both sisters soon discover that the secrets of the faeries may be more valuable than any pile of gold and jewels. But can Seelie harness her magic in time to protect her sister, and herself?



Here is a sneak peek:


chapter one


On the night the faerie world collides with ours, anything can happen and wishes come true—and right now, I’m wishing I had stayed home.

I struggle to keep up with my twin sister as we push our way through the crowd. Revelnox is summer’s closing act, when day and night balance perfectly on the edge of the world. In the smaller villages, where people lead calm, productive lives in predictable patterns—back home, I think, with an ache in my ribs—this means that children stay up late, bonfires are built in the middle of town, and offerings are left on the edges of the fields to prevent unwanted faerie mischief. There are special cakes, and the liquor flows freely, but all the merriment is a thin muzzle over the sharp teeth of the truth. You don’t go anywhere alone, and you don’t go into the forest.

Not if you want to come back, at least.

But here in the city—Auremore, the shining jewel between the forks of the Harrow River—here, it’s something else entirely.

I have to fight not to lose my sister in the crowd of faces and languages blending into a waterfall of color and sound. Children call to each other in the streets, even though it can’t possibly be safe for them to be out alone on this of all nights. But they’re not really alone: it seems like everyone in the city is out, despite the late hour. The ever-present sound of voices crashing over each other is even louder tonight, volume rising with people’s spirits (and the amount of spirits they’ve consumed). Music threads through it all, sparkling and twanging in the air.

The bonfires are the same here at least, adding their roar to the commotion. Each city district has its own, and here in the center of Market Square, everything is golden and cheerful, surrounded by dancers and the sweet smell of candies for sale. Here, they welcome the Seelie, the faerie realm of good intentions, of order and politeness—or, at the very least, neutrality. Pouches of herbed salt meant to ward off evil swing from the torches that keep the darkness at bay and paint the whole block in brilliant amber.

I seriously doubt that the faeries of the Unseelie Court will be scared off by what is essentially steak seasoning, but it’s a nice thought.

We squeeze past a man wearing an elaborate mask with goat horns curling around the back of his head. That’s the other thing about the Revelnox celebrations here: everyone is masked, and no one dares to utter their own name. For just this one night, faeries walk among us—and the less power they can claim over you, the safer you are.

It’s all fun and games for the faeries, whose visits to the Mortal Realm are usually limited to one human at a time, in remote forest glens or moonlit crossroads. For changelings, the not-quite-human-but-definitely-not-faerie in-betweens, walking among mortals is less of a novelty. We grow up with humans, hated for being almost like them but not enough. Most of us find our way back to the faerie realms by adulthood. I’ve never felt that pull, though. My magic and I have what you could generously call a troubled history, and if Revelnox is the closest I ever get to the faerie realms, it’ll be more than close enough.

Also—and on a potentially unrelated note—it’s my twin’s seventeenth birthday.

I can’t exactly say that my twin and I have the same birthday, since I’m not sure if changelings even have birthdays. I don’t think anyone actually knows where we come from. For all I know, my essence might have been floating around in a cloud of faerie dust for centuries.

Or maybe I formed out of thin air the moment a faerie lifted Isolde from her cradle, stiletto fingernails digging into her soft, honey-colored skin, to exchange her for me.

I don’t know.

What I do know is that ever since our parents adopted me, Isolde and I share a birthday every year. Back before it was just the two of us on the run, we always had a homemade cake and presents, and we would all sit outside in the grass and watch the stars come out. It was usually uncomfortable, near the end of summer when everything turns sickly sweet and starts to crumble, but that didn’t matter.

It was still my favorite day of the year. And often, that day happens to fall on Revelnox.


The man in the goat mask meets my eye, flashing white teeth at me before turning sharply and disappearing into the crowd of disguised faces.

I shiver, clinging tighter to my sister’s hand.

“Too loud?” Isolde murmurs, pressing close to my side. She wears all-black, as usual, from the tips of her scuffed boots to the roots of her glossy black hair.

I shake my head. It is loud, but in a weird way the overwhelming sensations are soothing. My boots feel more solid on the cobblestones, my body more real and alive than ever. Even the heat—of all the bodies, the radiant glow of the fire, the last warm breezes of summer—makes me feel strangely at ease, instead of just sticky and miserable.

No. If I seem on edge, it’s thanks to the buzz of magic in the air, a living hum that I don’t hear so much as feel, like a mosquito hovering at the back of my neck. I don’t think Isolde can sense it.

Magic is technically a part of me, fizzing in my faerie blood, and this is the one night when it isn’t considered dangerous and wrong. One night when it’s safe to be the thing I have to be every day. But maybe that’s exactly why I’m so terrified of it—because I’ve seen firsthand what magic does.

I stop short, jerking Isolde’s arm back, as a woman with a small reddish dragon draped over her shoulders cuts in front of me, obliviously strumming a stringed instrument and belting out a song that would make the most seasoned escort blush.

My sister smashes into me, and we both pause to make sure our masks are still in place. They’re the cheapest we could find, a simple painted covering of the eyes and cheekbones held in place by a fraying ribbon. I’m pretty sure they’re made of rowan wood to protect against faeries, because mine is starting to itch abominably. It’s a familiar itch, and for a second, I’m ten years old again, being held down by a clump of other ten-year-olds while they take turns pressing charms of rowan bark and iron to my skin to watch it blister.

The moment passes, and I somehow maintain the willpower not to rip the mask off my face.

As I slide it back into place, my fingers twitching nervously over the surface, I pull Isolde closer. I lower my voice, even though it’s so loud in the streets that no one could possibly hear me anyway. “Are you sure this is a good idea?”

“It’s Revelnox,” Isolde reassures, her easy grin slipping back onto her face. “The manor is empty, and everyone will be too drunk to even notice us. We’ll be long gone by the time they even realize we were there. Trust me, Seelie.”

This is the part where I pause to say I know it’s an unfortunate nickname considering…what I am. I wish that my parents had thought of that before Isolde’s toddler tongue bumbled Iselia so many times that it stuck.

I hesitate, but I’ve never been good at saying no to my sister. The fight goes out of me with a rush of air before I straighten my shoulders and squeeze the soft, worn fabric of my favorite dress in my fist. “Let’s make it quick, then.”

“Quicker than lightning,” Isolde promises.

I glance up nervously at the clear, dark sky as glittering orange sparks drift up from the bonfire, dancing on the breeze.

As we wind our way upriver, the world flashes by in vignettes of chaos.

People push through the crowds in chains with their friends, arms linked, songs in the air colliding with the louder instrumental music. Some wave flags or toss flowers into the air. Yapping excitedly, a small dog chases at the heels of a group of kids who can’t be older than thirteen. The normally drab buildings are draped in garlands of rainbow-hued flowers and tiny pennant flags.

And then there are the faeries.

Even though faeries are an expected part of tonight’s festivities, they slip through the mortals almost unnoticed. But I’m not quite human, either, and I keep finding my eyes wandering to balls of light floating over the crowds, or catching the smell of a meadow in the breeze of someone running past. I accidentally make eye contact with a woman wearing a feathered mask that covers from her cheekbones up to the crown of her head, then realize with a start that it isn’t a mask.

She winks, her blood-red mouth curving into a smile. Then she turns and blows a kiss towards a pair of revelers sitting at a wobbly wooden table in a brewer’s booth. They’re deep in the conversation of close friends, hands wrapped around their cups and separated by exactly the right amount of distance so their knuckles don’t brush. When the faerie’s breath washes over them, the speaker doesn’t seem to notice at first.

The listener, on the other hand, stiffens noticeably, something strange and hungry coming over their expression.

My heart stops. Faerie magic is dangerous, and I don’t know what—

Then the listener, without a heartbeat’s space to think, surges forward, crashing their lips into their friend’s.

I wince. Not deadly magic, at least.

Still dangerous.

The speaker freezes for a second, mouth still open in the shape of whatever word was cut off by their friend’s lips. Then they melt into the kiss, eyes closing blissfully.

I turn away, blushing hot enough that I worry my mask might burst into flames. The pair will probably regret this tomorrow. They don’t need my invasion of their privacy on top of it.

The feather-faced woman is still staring at me with wide, owlish eyes. Then she turns, and her eyes flash red like a cat’s in the night. If I hadn’t been sure that she was a faerie before, I am now. That gleam in the darkness is the one thing faeries can’t change about their glamours.

The one thing that reveals a changeling’s true nature.

A cold breeze rushes over my skin, trailing chills as we let the scene fade behind us.

Isolde releases my hand, adopting an exaggerated drunken swagger. She crashes into someone with gold leaf painted over their cheekbones and lips and stops, slurring apologies and patting the person’s shoulders.

I roll my eyes as she falls back into step with me. “Can’t you at least save it until we get there?” I mutter, barely moving my lips.

Isolde’s hand slips out of her pocket, withdrawing a silver-plated compact mirror that she definitely didn’t have a few seconds ago. “Where’s the fun in that?”

“You’re not here to have fun. You’re here to get into the house, grab as much as you can, and get out, ideally without getting us arrested.” I know my voice is coming out too harsh, but I don’t know how to fix it, so I settle for nudging her in the ribs with my elbow.

Isolde looks at me sideways for a moment, as if she’s just now remembering the seriousness of our situation, before stuffing her loot back into its hiding spot with a chastened sigh.

I am not a pickpocket.

I don’t mean that in any kind of morally superior way—the truth is that even if I wanted to be a pickpocket, I don’t have the talent for it. Not like Isolde.

Isolde steals, grifts, pickpockets, and pawns. I keep us fed. We don’t need to be wealthy. We just need to survive until we can scrape together enough to reunite, to start over in a place where no one knows my face.

The noise of the festival fades as my fingers drift to the vial on a leather cord around my neck.

Our parents—Mami, a midwife, fierce and tough, with her homemade remedies for everything from a cold to stubborn zits; Papa, gentle and strong and always coming home from his studio with clay under his nails. They wouldn’t want this life for us. They’re good people. Honest people.

And they aren’t safe as long as I’m around.

So we left three years ago to run from city to city, to steal and cheat and lie and scratch out a living, telling ourselves it would be justified. It would all be worth it when we had enough to make our family a new home. When I could walk down the street without flinching every time someone looked at me a little too long, worrying they’d seen my face on a wanted poster somewhere.

We’re coming up to the bridge now, boots pounding an uneven rhythm on the cobblestones as the crowd around us thins. The streets are too choked tonight for horses or wagons to force their way through, leaving extra space on the wide bridge. The sour smells of warm human bodies pressed together and beer subtly ebb away with every step.

This side of the bridge is plain, a smooth transition into the arch of stone over the sluggish water. Weeds poke up through the mortar and along the muddy banks. On the other side, garlands of golden paper flowers curl around the gleaming brass streetlamps, and an enchanted ball of light changes color every few seconds.

“Last chance to back out,” I mutter, as a woman dressed in sky-blue silk passing from the opposite direction stares at us for just a second too long.

“You worry too much.” Isolde catches the woman staring and meets her gaze with a brilliant smile.

I move a half step faster, trying to look casual as the dazzling sights of Gilt Row come into view.

Gilt Row is less of a row and more of a blob-shaped tangle of streets draped in more opulence and wealth than anyone knows what to do with. The houses, like the rest of the city, are pressed tight together, tall and narrow, but here they’re all white stone and pastel-painted brick, with gardens out front and just the right amount of emerald ivy crawling up their fronts.

Entire eight-story houses, each for just one family. It’s hard to imagine what the buildings might look like inside—and I pride myself on my colorful imagination. And presiding over it all, flanked by iron gates and a perfectly manicured lawn, Wildline Manor looms three times the size of any of the others. It’s huge, imposing, and—since Leira Wildfall is sponsoring Gilt Row’s Revelnox celebrations—totally empty. They might as well have painted a glowing target on it. 

I haven’t spent much time in this part of the city. Among the perfectly maintained streets populated by well-dressed, respectable families, Isolde’s and my rags stick out like thistles in a bouquet of exotic flowers. Someone who looks like we do can’t just walk around, without someone rich assuming they’re up to no good and signaling the city guard.

To be fair, most of the time we are up to no good…but they have no way of knowing that.

But tonight is different. I can feel it in the air, smell it in the spaces between smoke and sugar and expensive perfume. Tonight, anyone could be a faerie in disguise, and everyone receives equal respect.

Well, besides a few wrinkle-nosed looks from people who think I can’t see them.

Despite that, the crowd we melt into on the other side of the bridge is still almost entirely made up of people dressed in dazzling garments of violet chiffon, tangerine velvet, indigo silk, pure white linen—every color you could imagine and some you couldn’t. Gold gleams on throats and wrists and fingers, in embroidery along skirts and cuffs. Each mask is more impressive than the last, each custom-made and totally unique. Servants, dressed a bit more simply but still wrapped in the decadent midnight-blue velvet of Wildline Manor, mill around serving snacks and drinks.

I couldn’t possibly feel more out of place, with my plain mask, my simple slate-blue dress, my dusty brown boots. For someone like me, there’s no point in throwing away money on a gown that would only be worn for one night—no matter how enchanting it is.

My sister looks even more at odds with our surroundings than I do, but her aura of confidence doesn’t waver, even as tiny beads of sweat trickle under her mask. Isolde is the sweatier twin, but that’s more because she wears layers of all-black every day, no matter the weather, than because of any innate dampness.

Even though we’re identical, I can’t remember a time that we could be mistaken for each other. It seems laughable that the fair folk thought leaving me in her place would be an equal trade. Our olive skin and dark brown eyes are exactly the same, but her wavy hair never falls any longer than her shoulders before she chops it off, and I keep mine in a thick braid tied off neatly at the small of my back. Our identical heavy eyebrows look bold and dashing on her face but almost always seem troubled on mine.

I can feel them bunching into that concerned twist now. “Do you know where you’re going?” My fingers twist in my apron, fidgeting as always. We’ve been planning this for weeks, but we’re not exactly criminal masterminds. Once Isolde sneaks in the servants’ entrance, I don’t think there’s much of a plan beyond grabbing anything that looks shiny.

“Relax,” she replies, taking a flower from a girl dressed in petal-pink handing out bunches to everyone who passes. “Just stay on the lookout, and try to enjoy yourself. This isn’t the kind of party you get to see every day, you know.” The flower twirls between her fingers before she drops it, leaving it to get crushed underfoot.

We follow the trickle of people towards the center of the district and their bonfire. It’s getting late now, and most of the children have been sent to bed.

Which means the party is really getting started. 

“Who here’sss try’n’a get…a wisssh granted?” shrieks a faerie, so drunk on Leira Wildfall’s liquor that they don’t even bother hiding the shimmering wings sprouting from their shoulder blades. A shout ripples through the crowd around them. Then there’s a flash of pearly light, and when it fades, the faerie is gone. A stack of gold coins remains where the faerie had been standing, and I don’t know if they intentionally vanished or were banished back home by some Seelie rule about not getting drunk off your ass and offering wishes to mortals.

As people frantically dive for the coins, I lean to speak into my sister’s ear. “Those coins are super cursed, right?”

“Oh, incredibly cursed. For sure.” She squeezes my hand and chuckles. “You know what you’re supposed to do, right?”

I groan. My job, of watching the servants’ entrance and drawing the attention of any guards who might get suspicious, was supposed to be easy. “How can I possibly top that distraction? What goes on around here? There’s something wrong with rich people, Sol. That would have ended the night across town.”

Well, across the bridge. All the way across town, in the Twilight District, I’ve heard rumors that they celebrate the holiday with much more unsavory magic, and a few cursed coins would probably be the least of their problems.

“You’ll figure something out.” Isolde grins, slipping away from me. “See you in an hour.”

Then she turns her drunken saunter back on with all the ease of the highest-quality actor and stumbles into the crowd, ready to dip her hands into their gilded pockets.


Excerpted from Unseelie by Ivelisse Housman, Copyright © 2023 by Ivelisse Housman. Published by Inkyard Press. 




ABOUT THE AUTHOR: 


Ivelisse Housman

Photo Credit:
Sam Housman
is a Puerto Rican-American author and illustrator. At all seven schools she attended throughout her childhood, she was infamously “that kid who gets in trouble for reading during class, but refuses to stop.” She was diagnosed with autism at 15, which made everything make a lot more sense. When she isn't writing, she can be found making soup or tending to her houseplants. She lives in the Blue Ridge Mountains with her high school sweetheart/archnemesis and their two rescue dogs.


SOCIAL LINKS:

Author website: https://www.ivelissehousman.com/ 

Instagram: https://www.instagram.com/ivehousman/

Twitter: https://twitter.com/ivehousman